Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Saturday, May 30, 2026

The Flames of Soulflare - Fantasy - New Adult - Paranormal - Romance - and a Giveaway #Romance #Fantasy #NewAdult #Paranormal #Giveaway

La Kayshal is here to tell us about The Flames of Soulflare, Hell's Fire Dragon series #2, fantasy, New Adult, paranormal, romance.

There's also a great giveaway.

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The Flames of Soulflare
La Kayshal
(Hell’s Fire Dragon Series, #2)
Publication date: May 27th 2026
Genres: Fantasy, New Adult, Paranormal, Romance

Fourth Wing meets From Blood and Ash in this Dark Paranormal Romantasy where dragons fear prophecy—and love may be the final weapon.

Everin Haydon was stolen, tortured, and reshaped into the dreaded Hell’s Fire Dragon, bound as a weapon for a Dragon Council that calls itself righteous.

Across the realms, Lord Tynan, the Demon of Darkness and Chaos, has ascended. His arrival heralds the Three Days of Darkness, and he will burn heaven and earth to reclaim what fate bound to him—his power, his vengeance.
But one question if the demon has risen, where is the god meant to stop him?

As the dragon world waits for divine intervention, Everin must decide whether she will remain a weapon—or become the fate of the realms.

Goodreads / Amazon / Barnes & Noble / Apple Books / Kobo

EXCERPT:

Dark themes including captivity and experimentation

Emotional conflict and intense character struggles
Violence and battle scenes
High-stakes situations involving power and survival

This book is best suited for readers who enjoy emotionally intense, character-driven romantasy.
Read Before You Decide

Before committing, please read the prologue.

This will give you a clear sense of the tone, pacing, and writing style.

Prologue:
Present Day

The moon hung quietly above Helldreth Fort, its pale glow spilling through the tall windows and brushing the chamber with soft silver. A cool breeze drifted in and stirred the white curtains, their edges sweeping lightly across Everin’s skin. She pulled her silk gown closer, grateful for the warmth of the room. It felt comforting, far more so than the terrible, dark place she had left behind.

Her steps carried her to the mirror in the corner. The reflection staring back looked thinner, as if her body had been carved down to something she hardly recognized.

The neckline of her nightie dipped too low to her liking, drawing her eye to the faint scars across her chest. The lamp light traced their uneven lines, pale and unsettling.

She touched them gently. Everin barely remembered how or when she got the scars.

She pulled the outer robe around her until it covered more of her chest. At least the scars were low enough to stay hidden unless she wore something too revealing.

A sound of footsteps behind her made her turn.

Tariel Fenwick, her first love, stood at the doorway.

Everin froze for a moment. He looked different—stronger, more defined, more man than the boy she remembered. His dark hair rested just above his shoulders with two thin braids at the sides of his head, framing a face sharpened by a faint stubble. His amber eyes, once so warm, now carried a deeper, shadowed intensity.

His shirt hung open across his chest, revealing sculpted muscle that rose with each slow breath, and a leather gauntlet, more like an open finger glove, hugged his left hand like a seamless extension of his skin.

Her gaze lingered longer than she meant it to. He saw that. A slow, knowing smirk touched his lips.

She straightened quickly. “We need to talk, Tariel.”

“Yes,” he replied, approaching her, “but not now.”

“There is a lot I want to understand,” she said quietly. “So much I don’t remember.”

“Later.” He reached her, lowering his voice. “I’ve long waited for this moment with you.”

He stepped closer.

She stepped back.

“You waited for me?” she whispered, searching his face.

“I did,” he said. “More than you know.”

He brushed a fingertip along her arm. She stiffened but felt a flicker of the old pull toward him, a warm memory trying to surface. Her eyes drifted briefly to his lips, those that she had kissed in the past, before she forced herself to look away.

His smirk deepened. “Are we shy now, Everin?” he murmured, amusement warm in his voice.

“It has been a while,” she managed. “Things are not the same.”

“We are,” he said, touching her jaw. “You still feel this.”

She backed away again, but he followed, closing in until she had no space left. Her leg hit the edge of the bed. She lost her balance and stumbled, falling backward onto the soft covers. Instantly, she pressed her elbow into the mattress as she tried to push herself upright and pull her short nightie into place, but she barely had a second.

By the time she braced herself, Tariel was already on the bed. One knee pressed into the mattress, and in a swift movement, he trapped her between his legs. His body loomed over hers, leaving her nowhere to go. His hand slid behind her back and pulled her closer. The other moved to her neck, his fingers settling at her pulse, firm enough to hold her from looking away.

His control was precise and deliberate.

“Tariel—” She sucked in a breath, fear slipping into her voice. “What are you doing?”

His lips hovered above hers, so close she could taste the hint of warmth in each breath he released.

“You belong to me,” he whispered, his voice shifting, deepening, curling around her like smoke. His eyes burned brighter, molten gold spilling across the darkness of his gaze. “You always have.”

Everin’s heart thrashed in her chest. Something ancient stared back at her through his eyes—something demanding, something claiming.

She tried to pull away. “You’re frightening me.”

He leaned closer, lips brushing the edge of her jaw. “You love me,” he whispered.

“You always have. And you will give yourself to me again.”

His mouth dragged slowly toward hers, teasing, commanding, his breath warm against her parted lips.

“I want you,” he said, low and certain. “I want all of you.”

“No.” Everin gasped, turning her head away as panic surged. “Stop. You’re not—”

His fingers tightened at her neck.

He didn’t stop. The Tariel she loved would have.

“I am yours,” he murmured.

She squeezed her eyes shut. Then her voice broke in a whisper—

“You’re not him. You’re not Tariel.”

The room fell silent. And everything inside her knew she was right.

Author Bio:

La Kayshal is an Australian writer of romance, YA, and children's fantasy novels. She lives with her husband, daughter, and a playful Malshi puppy in the coastal plains of the Sunny State.

Her debut novel, The Lost Crown, is an adventure romance set in the exotic landscapes of India. She also created the much-loved Sylph Series, a whimsical children’s collection that introduces readers to the amazing world of Sylphs, with each book carrying a gentle moral lesson.

A lifelong fan of wizards, magic, dragons, swords, and elementals, she poured all these passions into her YA fantasy Ariston Baker in the Weird Picture Book, a fast-paced journey filled with realms, riddles, action, and adventure.

Her latest project is the Hell’s Fire Dragon series. Book 1, The Flames of Darkness, is a YA Romantasy full of dragons, and Book 2 is set to be released soon.

Website / Goodreads / Facebook / Instagram


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The Flames of Soulflare Blitz




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Sunday, May 24, 2026

Birds of Ásgarðr - The Old Norse Saga - Fantasy - Norse Mythology #Saga #Fantasy #NorseMythology

C. Beskow and E.P.W. Tell are here to tell us about Part one: Birds of Ásgarðr - the old Norse saga - fantasy, Norse mythology.

Read on for details...

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Part one: Birds of Ásgarðr

 

Fantasy / Norse Mythology

Date Published: November 13, 2025



A child of man treads the path of Hel. The sun blackens, stars fall into the sea, and as fire licks the life-giving tree, the heavens themselves shall cleave.

Following an ominous prophecy from the world tree herself, rivalling species come together to form a treaty. In order to stop an outbreak of war, they agree to a mutual hostage exchange, sending their most promising children to grow up amongst potential enemies.

An insecure þórr is brought to live amongst the rough giants of Jǫtunheimr, granting Ásgarðr the cunning Loki in his stead, whilst a proud elven empress sends her uncontrollable heir to be hidden away amongst the Vanir gods in exchange for the arguably more valuable twins Freyr and Freyja.

Meanwhile in Miðgarðr, where humanity resides far away from the lives of gods, a young girl's nightly hunting trip is interrupted by the arrival of a mysterious divine child.

In an intricate tale where numerous life-strings collide in an interwoven search for family, identity, and purpose, can the smallest of mortal actions alter the destiny of even the greatest of gods?

After a decade long deep-dive into ancient mythology, Viktor Rydberg wrote one of our world's earliest fantasy epics in 1887. Reimagined today by C. Beskow and E.P.W. Tell, his tales of the Old Norse World come to life once more.

 

About the Author



Born in Southern Sweden, not far from where his debut novel Birds of Ásgarðr begins, E.P.W. Tell developed a keen interest in history. His article "The Curmsun Disc: Harald Bluetooth's Golden Bull?" then sparked a fascination for Norse Mythology, leading him into Viktor Rydberg's extensive research on the subject. Thereafter, the Old Norse Saga began taking shape.

Recognising the need for a strong literary partner, Weman Tell initiated a collaboration with C. Beskow, who turned out to be the ideal co-author for the ambitious project. After five years of working together, Birds of Ásgarðr emerged as the first of four books in the Old Norse Saga series.

Weman Tell's professional career is just as notable. He holds a Master's in Economics and a Bachelor of Laws. For ten years, he worked as Chief Financial Officer at Svenska Bio (Swedish Cinema chain) for the legendary manager Peter Fornstam, with whom he continues to maintain a close relation. He's also fond of sports, serving as Strength & Conditioning coach for Swedish fencing and acting as General Secretary of the Swedish Multisport Federation.

His varied experiences, combined with his deep passion for history and Norse Mythology, has shaped the foundation of the Old Norse Saga, granting Birds of Ásgarðr a distinctive new voice in historical fantasy literature.

Growing up in the company of books, C. Beskow spent a large chunk of her childhood roaming the forests in search of adventures, huddling up each night with a bedtime story. As she reached adulthood alongside an ever-growing collection of cluttered notebooks, she decided to turn her extensive imagination into a career worth pursuing.

Fascinated by the visual aspect of storytelling, Beskow was initially drawn to film and television, and hence began her writing journey on the island of Gotland, learning how to write for the screen. In 2016, she started her own company, working on everything from translations and transcriptions to tv-pilots and ghostwrites.

When first approached by E.P.W. Tell, ancient mythology was but a fascinating childhood interest, but as the Old Norse Saga called for a deep dive into the subject, Beskow found herself falling in love with its wild world and intense characters. What more, the extensive research led to some rather intriguing ties to her own family history as C. Beskow does not only have ties to the renowned children's book author Elsa Beskow and the once equally popular author Elisabeth Beskow.

 

Contact Links

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Purchase Link

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Sunday, May 17, 2026

The Carnelian Throne - The Silistra Quartet - Dystopian Epic SciFi Fantasy Romances - and a Giveaway #Romances #Dystopian #EpicSciFi #Fantasy #Giveaway

Janet Morris is here to tell us about The Carnelian Throne, The Silistra Quartet, dystopian epic scifi fantasy romances.

There's also a great giveaway.

________________________


Estri was a daughter of light;

Chayin, a son of darkness;

Sereth, the son of all flesh.

Are they the three foretold who will make the truth of prophecy?


The Carnelian Throne

The Silistra Quartet Book 4

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



***** "Engrossing characters in a marvelous adventure." -- C. Brown, Locus Magazine

***** "The amazing and exotic adventures of the most beautiful courtesan in tomorrow's universe." -- Frederik Pohl

***** "The best single example of prostitution used in fantasy is in Janet Morris' Silistra series: High Couch of Silistra (originally entitled Returning Creation), The Golden Sword, Wind from the Abyss, and The Carnelian Throne." -- Anne K. Kaler, "The Picara: From Hera to Fantasy Heroine."

"[...] today I thought I'd look at one of the most successful fantasy debuts of all time, a series that became a huge international hit with its first release, launching the career of one of the most prolific fantasy writers of the late 20th Century: Janet Morris' The Silistra Quartet.

"The Silistra Quartet began with Janet's first novel, High Couch of Silistra [...] from Bantam Books in 1977 [, ] the far-future tale of the colony planet of Silistra, still recovering from an ancient war that left the planet scarred and much of the population infertile. With a dangerously low birth-rate, it's not long before the human colonists of Silistra develop a new social order, with a hierarchy based on fertility and sexual prowess.
-- John O'Neill in Black Gate Adventures in Fantasy Literature

 

Estri was a god, and the daughter of light.
Chayin was a god, and the son of darkness.
Sereth was hase-enor, the son of all flesh.
Lovers and friends, could they be the prophesied three
who would wield the Sword of Severance, Se’Keroth,
and bring light out of dark?

“One from the east, born of ease and destined,
“One from north of south, divine, exempt of question;
the third from out the west,
Astride a tide of death,” quoted Chayin. He was not
smiling. It is a long epic. All has been foreseen. We
all know that tale’s end.”
— Estri Hadrath diet Estrazi, in “Wind from the Abyss.”

 

Amazon * Bookbub * Goodreads

 




“Gate!” he bellowed over the storm, his dripping lips at my ear. The deluge had made us sparing of words. Under leathers soaked to thrice their weight, I shivered in spasms. Arms clutched to my sides, I stared into the rain. The driven sheets slashed me for my audacity. Lightning flared, illuminating the riverbank white. A moment later, the bright noise cracked through my head. The hillock trembled.

Over the gate danced the lightning. Its crackling fingers quested down thick-crossed slabs of iron, seared flesh. Emblazoned as they tumbled were those six-legged amphibians, their streamered tails lashing, scaled, fangful heads thrown back in dismay. I saw their afterimage: beryl and cinnabar, aglow upon the storm. Then their charred remains splashed into oblivion, spun away on the fast current.

“Down!” One man shouted, the other shoved me, and as I staggered to kneel in the sedges, the god that washed this land shook it, grumbling. I crouched on my hands and knees on the bucking sod, between them. Little protection could they offer up against shaking earth and searing sky, not even for themselves, without divorcing themselves from the reality they had come here to explore. And that they would not do.





Wind From the Abyss

The Silistra Quartet Book 3


Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

  

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

Amazon * Bookbub * Goodreads


 




The Golden Sword

The Silistra Quartet Book 2


Dystopia. Biology shapes reality. The further adventures of the most beautiful courtesan in the galaxies of tomorrow.

She had the power to create planets. The sixty carved bones of the Yris-tera foretold her ancient fate. Her heritage of power took her beyond time and space and stole from her the one man she loved.

Enslaved on the planet Silistra, tomorrow's most beautiful courtesan unleashes the powers of the gods.

 

What readers are saying:

 

“Pure excellence…. A heroic quest of the highest calibre.” - Goodreads

 

“This is a book which makes one’s blood sing and one’s mind ponder. I loved the first in the series and enjoyed this as much, perhaps more. The ending leaves the reader desperate to know what happens to Estri next – courtesan, slave, warrior, lover, rebel. What is next for our heroine?” – Goodreads

 

“Call it what you like: science fiction, space opera, sword and planet or erotic fantasy . . . The Golden Sword is all these things, and so much more. A highly intelligent and sensual novel filled with ideas and revelations, this is a gripping story that explores human sexuality and the role it plays in politics. Although the memorable characters are bisexual, toss away all your preconceived notions, for there is a humanity, a strength of will and determination, a realism and depth of emotion to these characters that will have you thinking twice about all you know and all you think you know. This is a book for mature and discerning readers who like some meat on the bones of the books they read. Janet Morris led the way for all the science fiction authors, both male and female, who came after. “ – Joe Bonadonna, Goodreads

 

Amazon * B&N * Bookbub * Goodreads

 





High Couch of Silistra

The Silistra Quartet Book 1



Biology shapes reality...

One woman's mythic search for self-realization in a distant tomorrow...

Her sensuality was at the core of her world, her quest beyond the civilized stars.

Aristocrat. Outcast. Picara. Slave. Ruler.



"Engrossing characters in a marvelous adventure." - Charles N. Brown, Locus Magazine



"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe" - Frederik Pohl



"The best single example of prostitution used in fantasy is Janet Morris' Silistra series... Estri's character is most like that of Ishtar who describes herself as "'a prostitute compassionate am I'" because she "symbolizes the creative submission to the demands of instinct, to the chaos of nature ...the free woman, as opposed to the domesticated woman". Linking Estri with these lunar and water symbols is not difficult because of the moon's eternal virginity (the strength of integrity) links with her changeability (the prostitute's switching of lovers). [...]

Morris strengthens the moon imagery by having Estri as a well-keepress because wells, fountains, and the moon as the orb which controls water have long been associated with fertility, [...] In a sense, she is like the moon because she is apparently eternal, never waxing or waning except in her pursuit of the quest; she is the prototypical wanderer like the moon and Ishtar. She is the eternal night symbol of the moon in opposition to the Day-Keepers [...]

 At her majority (her three hundredth birthday), she is given a silver-cubed hologram letter from her mother, containing a videotape of her conception by the savage bronzed barbarian god from another world. [...] If Estri's mother then acts as a bawd, willing her lineage as Well-Keepress to her daughter, then Estri's great-grandmother Astria as foundress of the Well becomes a further mother-bawd figure when she offers her prophetic advice in her letter: "Guard Astria for you may lose it, and more. Beware of one who is not as he seems. Stray not in the port city of Baniev ...look well about you, for your father's daughter's brother seeks you". Having no brother that she knows of does not stay Estri from undertaking the heroic quest of finding her father."

 - Anne K. Kaler, The Picara: From Hera to Fantasy Heroine

 

Amazon * B&N * Bookbub * Goodreads







Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

Website * Facebook * Twitter * Instagram * Bookbub * Amazon * Goodreads

 


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Wednesday, April 22, 2026

Sins of the Fire: Purgatorio - Sins of the Fire #2 - Fantasy - New Adult - Young Adult - and a Giveaway #Fantasy #NewAdult #NA #YoungAdult #YA #Giveaway

Phoenix Ward is here to tell us about Sins of the Fire: Purgatorio, Sins of the Fire #2, fantasy, New Adult, Young Adult.

There's also a great giveaway.

____________________

Sins of the Fire: Purgatorio
Phoenix Ward
(Sins of the Fire, #2)
Publication date: December 18th 2025
Genres: Fantasy, New Adult, Young Adult

The Church of New Haven extends its reach to those in need, however there are some lost souls that require more direct guidance, as their sins must be met with strong redirection. Thus, Jonah was created. Originally a man named M█████ ████, he contains over two-hundred thousand sinners. Until they reconcile with their offense to God, they are to fast and pray for their salvation for as long as it takes them to realize their folly, and call upon us.

The boy will be saved from the Dragon, even if he must waste away to understand their danger.



Kickstarter / Amazon


Sequel to:

Check out the Kickstarter here!!

EXCERPT:

This morning was a reminder that not only was sleep important, but so was waking up before 10am.

Between the heads of bed hair, scruffy clothes and flip-flops, there were black suits, floral dresses and sweet smelling perfume clouding the entrance of the store. Conversations were held in front of the doorway, carts were being pushed around like they were going out of style, and somehow that wasn’t the thing that made us second guess our trip to getting our travel items here. No, that all paled in comparison to the white van-bus with the words “Destiny Baptist Church”, written in Times New Roman on the side.

It wasn’t the church we had a problem with— it was the fact that it was Destiny, a local mega church that made their way through the doors. The same Destiny that would play on my grandmother’s radio, from preaching almost twelve hours of gospel to choirs capable of going seven octaves without any pause for breath. For whatever reason, they were here. Maybe it was some food-based event, or some donation cause, or maybe someone felt the ‘Holy Spirit’ invade them to help out a few families with groceries— either way, it was crowded. Worse yet, the congregants brought their kids too. One wrong turn with a cart and we’d be anointed with oil and made to play the burning bush. Imani and I both shared wary gazed with one another as the chatting church folk mingled with folks that just wanted to get their groceries.

I was the first one to take the initiative, but Imani was quick to hold me back from going too far.

“Hang on, no plan?” She asked, “We’re just going to go in?”

I shrugged, scooting aside as a family of three slipped past us. “Yeah. We just gotta make it through the doors. We’ll probably just grab baskets and split. When we’re done, we’ll meet right by the self-checkout, next to the gift cards.”

Her eyebrows looked like they’d fly away. She released her gentle hold of my arm. “I guess I shoulda known you’d know how to handle yourself, considering the stuff you dealt with.”

“Is it weird to admit that the cult shenanigans actually wilder compared to this?”

Imani sped ahead of me, playfully pushing me out of the way. “Just pray you don’t get lost in here!”

“Ah, pray! Good one.”

The doors opened, our opportunity for a clear entry inside revealed itself. With clergy folk standing by the door, we said our ‘Good mornings’ and kept it moving. Basket procured, we both split up and went our separate ways. I immediately made a beeline to the deli. Three pre-packaged sandwiches were perfect carry-on for the long trip. From there, I shot for the snacks aisle. Chips, protein bars, and those salty peanut butter cracker packages were all loaded up in the basket with haste. I said my ‘hello’s, and my ‘excuse me’s to any passerby, some people greet me, others regard me with a nod.

I wanted to be away from the churchgoers. They didn’t take up the store, but they were too permeated— too mixed in.

Too indistinguishable.

I wanted to pretend that everything was back to normal. That after all of the conflict, the fears, the crying, the fighting, things were safe again. Two months of nothing should have been enough to convince me, but I knew better. Every aisle I walked down, there was a body dressed in black or white—formal clothing or just plain clothes. Without touching Mysherra, I couldn’t tell which was a Havenite and which wasn’t. Even outside of the store, regular people, clerks, judges, beggars, anyone could be a Remnant out to get me, or one to watch me.

I put my hand in my pocket and stood in front of the line of power-drinks. My fingers grazed over the surface of the pen.

The hairs on my neck stood up. Goosebumps bristled along my arms. Piercing spheres of heat sandwiched both sides of my sides.

I didn’t dare turn my head—Peripherals attuned to the presence of two white-robed Remnants on opposite sides of the aisle.

“Kane.”

“I know.”

Slowly, I inched my arm out of my pocket, pen wedged between my fingers. They wouldn’t be able to fight me, not with eyes watching them from the ceiling. They didn’t want their secret to be discovered just as I didn’t.

“Do not acknowledge their presence,” Mysherra spoke to me, “Walk with me down the aisle.”

My legs walked me sideways. I didn’t want my back turned to either one of these things. The power drinks transitioned to the flavored powders. Flavored powders to sparkling sodas. Neither one of the beings made a move.

“Once you get close, fire me.”

Senses were screaming at me to run or fight the closer I got to the remnant. My heart was thudding against my ribs.

“Just a little closer.”

Light conjured at the tip of the pen. The burning spread along my entire right side.

“Okay, the fires should be quiet enough to—”

“Excuse me.”

Someone bumped against my back, cutting off my focus. “Ah, sorry about th—”

All I did was turn my head. I had seconds, milliseconds, microseconds to process the burgeoning man unlatching his jaw in front of me. Ropes of saliva separated a hollow light at the back of his throat. Flesh, wet, and acrid already surrounded me, sounds of the outside muffled by the remnant’s mouth closing behind me. I must have fired four times— twice to the ribcage roof of the mouth and twice towards the light. Footing vanished, the dark closed in, and the door to the outside slammed shut behind stone teeth.

And I fell.

Author Bio:

Phoenix Ward is an indie black writer, and educator from Philadelphia. He has worked in the field of education for over five years, teaching all grades Mathematics and English. When he’s not writing, he is composing music using Logic Pro X, or tutoring children on subjects they struggle in. Currently, he lives in Philadelphia with his dog and cat.

An avid world-builder, Phoenix has created many stories from youth to adulthood, but none have captivated him as much as his latest work Sins of the Fire, which combines his passion for storytelling with his deep understanding of human nature. He draws inspiration from the vibrant city life of Philadelphia and his own experiences as an educator, infusing his narratives with authenticity and depth.

In addition to his work as a writer and educator, Phoenix is committed to supporting young creatives in their journeys. He actively encourages students and adults alike to seek a way to create their own stories. Everyone has a message to share, and doing so in story is the best way to do so.

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Thursday, April 16, 2026

Wind From the Abyss - The Silistra Quartet Book 3 - Dystopian - Epic SciFi - Fantasy Romance - and a Giveaway #Romance #Fantasy #EpicSciFi #Dystopian #Giveaway

Janet Morris is here to tell us about Wind From the Abyss, book 3 The Silistra Quartet, a dystopian, epic scifi, fantasy romance.

There's also a great giveaway.

________________________


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

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Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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