Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Thursday, April 16, 2026

Wind From the Abyss - The Silistra Quartet Book 3 - Dystopian - Epic SciFi - Fantasy Romance - and a Giveaway #Romance #Fantasy #EpicSciFi #Dystopian #Giveaway

Janet Morris is here to tell us about Wind From the Abyss, book 3 The Silistra Quartet, a dystopian, epic scifi, fantasy romance.

There's also a great giveaway.

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Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

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Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Tuesday, April 7, 2026

Broken Wings - Enchanted Skies Book 1 - Fantasy - Steampunk - and a Giveaway #Fantasy #Steampunk #Giveaway

Miloa Scape is here to tell us about Broken Wings, Enchanted Series book 1, fantasy - steampunk.

There's also a great giveaway.

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Broken Wings
Miloa Scape
Publication date: April 7th 2026
Genres: Fantasy, Steampunk

When a city begins to fall, the truth rises.

On her tenth birthday, Marty Oakley expects comfort and celebration, not a city tearing itself apart. As Velarisca trembles and steam-powered defenses spiral out of control, Marty flees through chaos with her father, only to discover he is not who she believed him to be.

With the city collapsing around them, long-buried secrets surface and a hidden legacy awakens. Caught in a conspiracy stretching from the depths below to the skies above, Marty must face truths no child should ever carry, or lose everything she loves.

Broken Wings is a heartfelt steampunk fantasy prequel filled with wonder, danger, and unexpected adventure.

Broken Wings is now on Kickstarter!

Some truths are inherited. Some are stolen. Others wait quietly, buried so deep that only loss knows how to uncover them.

The world teaches obedience first. Then fear. Then silence. Breaking the pattern was never part of the design.

Get a FREE CHAPTER here!

Why the kickstarter collector’s edition is special.

This is not just a book. It’s the beginning.

Broken Wings is a 20,000 word prequel novella and the very first story in the Enchanted Skies universe. It introduces Marty at age ten and her father who tried to protect her from a truth that was always going to catch up.

This edition will never be sold through retailers. It is only available through this Kickstarter, and later Miloa’s direct store. No algorithms. No middlemen. Just readers who chose to be here from the start.

Backers of this campaign will have their names printed in the book as founding readers, permanently recorded as the ones who helped this world take its first breath.

Visit the KICKSTARTER HERE!


Author Bio:

Miloa Scape is a speculative fiction author writing genre-blending stories that combine fantasy, science fiction, and steampunk with a strong emphasis on found family and character-driven storytelling. With an engineering background and extensive gaming experience, she brings a systems-focused approach to worldbuilding and narrative structure. Her debut project, Broken Wings, introduces a steampunk-inflected world that serves as the foundation for a larger speculative fiction series in development.

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Wednesday, March 25, 2026

Maiden Tomb - Twelve Cursed Maidens #1 - Fantasy - Fairy Tales - Historical Retelling - Romance - and a Giveaway #Romance #Fantasy #FairyTales #HistoricalRetelling #Giveaway

Cynthia Sally Haggard is here to tell us about Maiden Tomb, Twelve Cursed Maidens #1, romance, fantasy, fairy tales, and historical retelling.

There's also a great giveaway.

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Maiden Tomb
Cynthia Sally Haggard
(Twelve Cursed Maidens, #1)
Publication date: February 5th 2025
Genres: Adult, Fairy Tales, Fantasy, Historical, Retelling, Romance

Follow twelve princesses down a dark tunnel into a grove of jeweled trees to a too-placid lake, where a prince will row you across to a gleaming castle to dance the night away. This historical fantasy—a retelling of the Twelve Dancing Princesses folktale—drifts backwards in time from the Early Middle Ages of Sicily to the Bronze Age of the Trojan War. It is perfect for fans of Circe and Spinning Silver.

Sixteen-year-old Justice wants to release her sisters from the jaws of Father’s imprisonment. But what can she do? The easiest way would be to find suitors for them.

However, that is not so easy, for Justice’s elder sisters are strange. What with All-Gifted’s madness, Protectress’s hair writhing with snakes, Death-Bringer’s grief (not to mention her strange name), Shining’s scandalous doings, Maiden’s tart tongue, Shadow’s crippling shyness, no sensible man would want her sisters as wives. Which leaves Justice, the seventh daughter, the one who possesses a quiet authority.

Maiden Tomb, Book One of the Twelve Cursed Maidens series, is a clean enemies-to-lovers romance.

The original fairytale—about twelve young ladies dancing all night—sounds so jolly doesn’t it? But I don’t think Twelve Dancing Princesses is about dancing at all.

I think it is about death.

Why do I think that? Well there appear to be some elements to the tale that go back, way back, hundreds, no, thousands of years, back into the Ancient World.

First of all, being rowed across a body of water sounds like a thread of Greek Mythology found its way into this tale. It is very reminiscent of Charon the boatman rowing the souls of the newly dead across the River Styx.

Then there are those jeweled trees. Where do they come from? Several scholars believe that element of the story comes from the Tale of Gilgamesh, which may have been originally composed around 1800 BCE. It tells the story of Gilgamesh, a King of Uruk a city-state in Sumeria, who is grieving for the death of his best friend. According to scholars, Gilgamesh ruled the Kingdom of Uruk in around 2700 BCE.

Then there are the princesses themselves. Have you ever wondered why their are twelve princesses? Again, the answer points towards the ancient kingdom of Sumeria, which existed in what is now present day Iraq, beginning in around 6,000 BCE. The Sumerians were renowned astronomers who used a base-12 numerical system, unlike the base-10 or decimal system we use today.

And so, there you have it. When you dig below the surface, a charming story from Europe has roots in the Middle East and seems to be thousands of years old!

And so, when I came to write Maiden Tomb, a piece of women’s fiction that explores the all-too-often captivity of women, I put back all those elements. We have the Gilgamesh epic, and elements of Greek Mythology, complete with snakes, ancient gods, and powerful goddesses. And far from being a jolly novel about young people dancing, as the title suggests, I made it a book about death.

I hope you find this coming-of-age novella as enjoyable to read as I found it fascinating to write.

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EXCERPT:

In the past week or so since we’ve arrived, life has taken on a predictable rhythm. I spend the mornings entertaining the ladies of the castle, with the lyre, my singing, playing knucklebones, and listening to their gossip. Truth to tell, nothing they say is particularly interesting as high-born ladies spend their time inside. When they are not diverting themselves with such pastimes as I provide, they are spinning, weaving, running the household, and caring for their children. They talk incessantly about their children. They know little of the outside world.

I escape after the midday meal, taking advantage of the ladies’ habit of resting as the sun’s chariot crests at the highest point of the day. While they sleep, I head out into the scorching countryside looking for Father.

We sit together in the shade, while Father does some task, usually repairing something, while I tell him everything I’ve learned the evening before. It is not that hard. Because I am small, and people are now familiar with my face, no one pays me any mind as I take my seat at the bench that runs along the side of the huge table where all the working folk of the castle eat their meals.

Father has told me never to be inquisitive, but I am dying to know more about the twelve mysterious ladies locked up in the castle tower, the ones people whisper about behind their hands when they think no-one is noticing.

As the light of the sun drains from the sky, as the king’s men sink lower onto wooden benches eating dish after dish, quail, pheasant, peacock, duck, eggs, bread, olive oil, wine, and olives, the noise of seven hundred men sharing jokes, laughing, and swilling wine reverberates around the hall.

Finally, I can take it no more.”Is it true what they say about the King’s daughters?”

The grizzled stranger on the bench next to me wipes the grease off his mouth with the back of a hand and spits out an olive pit.

“Where’ve you popped up from? You shouldn’t be here. You’re only a young lad.”

I am used to these remarks. After I left home I took a ship that was blown off course, taking me west to the land of the Italoi. I had to beg for money in the streets and in the taverns and it was not long before I heard news of Father, who was sailing to the west of this land.

And so I made my way across steep mountains before coming down to a lush plain. Playing my lyre to entertain strangers I followed their directions to the sea, to a wide bay within sight of a simmering, high, conical-shaped mountain.

And there, in a tavern, I met Father.

Now we are traveling home together. But Father is not here on the bench beside me, as he should be, but outside at a nearby farm pretending to be a stable hand.

This is one of Father’s clever strategies. He is a master at extracting information. He calls his strategy “divide and conquer” and it means that I have to use my lyre to find a berth for the night in some local chieftain’s house. This is not usually difficult, especially if there are ladies around because for some reason they always want to pet me.

Meanwhile, Father finds work on the outside as a shepherd, farmhand, or stable boy. By concealing his origins and pretending to be dumb, drunk, or both, Father is able to overhear a great many things. We have a plan to meet every day at noon, I escaping the blandishments of the ladies to visit the local farm for milk, cheese, eggs where I could happen upon the new stable boy, farmhand, or shepherd.

The only fly in the ointment is my age. I am only twelve years old and to my great annoyance, I look it. So Father made me memorize some phrases to offer when this issue arises.

“Father is here with me, but is suffering with an ache to his belly.”

One sentence is usually enough for most people. Father has instructed me never to offer explanations that are not asked for as it only makes people more curious.

But the fellow is staring at me, waiting for more.

I turn my eyes down. “Father told me to eat supper and then berth with him in the stable yard.”

“He’s the new stable hand, is he?”

I nod.

“Much good he’ll be with a bellyache.”

I look up. “Do you have a remedy for that good sir?”

Father always stresses the importance of asking for advice when a conversation turns sour, as it flatters the vanity.

The fellow hawks and spits, rising from his seat. “You’ll have to go to the kitchens for that, son.” He ambles off.

Author Bio:

Cynthia Sally Haggard was born and reared in Surrey, England. About 40 years ago, she surfaced in the United States, inhabiting the Mid-Atlantic region as she wound her way through four careers: violinist, cognitive scientist, medical writer, and novelist.

Her first novel, Thwarted Queen, a saga set in 1400s England with a Game of Thrones vibe, won the 2021 Gold Medal IPPY Award for Audiobook. Her second novel, Farewell My Life, a dark historical about a hidden murderer, won the 2021 Independent Press Award for Women’s Fiction and was the 2019 Distinguished Favorite for the New York City Big Book Award.

Cynthia graduated with an MFA in Creative Writing from Lesley University, Cambridge MA, in June 2015.

When she’s not annoying everyone by insisting her fictional characters are more real than they are, Cynthia likes to go for long walks, knit something glamorous, cook in her wonderful kitchen, and play the piano.

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Saturday, March 21, 2026

Land of Two Moons - YA Epic SciFi Fantasy Adventure - and a Giveaway #YAEpic #SciFi #Fantasy #Adventure #Giveaway

D.L. Gardner is here to tell us about Land of Two Moons, a YA epic scifi fantasy adventure.

There's also a great giveaway.

______________________


Political unrest, war over valuable mines, forbidden love, and a homesick dragon bound in chains threaten the land of two moons.


Land of Two Moons

by D.L. Gardner

Genre: YA Epic SciFi Fantasy Adventure



"The gritty reality of trench warfare and the smoky chaos of riots is striking in D. L. Gardner's Land of Two Moons...a rich and ambitious fantasy novel that successfully builds a world trembling on the brink of magical and political upheaval. This is a delicate, intricate novel that rewards patient reading." - Independent Book Review

 

Arthur and Hallie are twin siblings, son and daughter of the Duke of Lodesmoor. Humble teenagers who befriend the village people and sympathize with their grievances. Their father, Lord Balmier, whose duchy is approaching financial collapse, uses his subjects as pawns in a battle over a string of valuable mines.

Lord Balmier sees his son's sympathy toward the serfs as an alliance against him and soon acts to squelch Arthur's sedition.

Hallie clings to a forbidden love, and both siblings must resist their father's harsh rule.

All the while they are unaware that their mother keeps a mystical dragon named Killian, bound in chains by a spell, whose fate will affect them all.

As the twin moons approach a rare and magical eclipse, alliances shift, secrets unravel, and Arthur and Hallie must choose between loyalty, freedom, and sacrifice to save their people and themselves.

 

“With strong pacing and a cast of memorable characters – including a homesick dragon, this is the perfect book for fans of the ‘fantasy’ genre. Highly recommended!” - The Wishing Shelf

 

 

***Check out the kickstarter campaign!**

 

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Land of Two Moons will be a limited edition leather hardcover signed and numbered, a special edition case laminate hardcover, an eBook, and a paperback with printed edges. A rigid slip case is available for the hardcovers. 

 

***Check out the kickstarter campaign!**




Prologue

     Pattin didn’t know what they were fighting for. All he knew was that when their commander yelled the order he was to let loose his arrows toward another trench opposite theirs somewhere in the Red Sands desert. Rumor was they were fighting over mines, dukes, power, and money. Nothing he’d ever be privy to. It didn’t matter. He was here because he’d been conscripted.

He'd been in this trench for nine days straight. Hot, drenched in sweat, sick to his stomach, and with little to eat or drink. Tired of swatting flies and stepping over the bodies of his comrades, he was ready to leave. No one wanted to be here, especially not the lads from Bidsworth, and especially not on the front lines.

He spat the dust out of his mouth and bit another piece of jerky.

“When is she going to come for us?” he asked his friend.

“Tonight, they said. Maybe,” Ivan whispered.

“What do you mean, maybe? She promised.”

“She can only take five at a time.”

“Bloody Marks, she’s been here every night for a week. What’s she going to do, get everyone but us? The more people who leave, the less chance of survival for those who stay. I’m too young to die in this rat hole.”

Ivan shrugged—a hint that he wasn’t happy about the situation either.

“We could try and make a run for it on our own,” Pattin whispered, his lips barely moving, glancing around the desolate countryside.

Over the sand, the heat waves danced, crafting a mirage of water, a deceptive illusion that only a fool would pursue. Bait for the enemy. Pattin licked his lips, wishing for a drink of cool water from the springs in Bidsworth, his homeland, a wealthy duchy whose stone structures mirrored the color of the red earth. Here in the wasteland, iron ore poisoned the vegetation, and there was nothing but dust as far as the horizon. The soldiers hated this place, and rumors of desertion were burning the ears of the agents at base. The officers were watching the troops like hawks.

“Fool. We’d have bolts in our backs, dead. Is that what you want? If I’m going to desert, I’m doing it with Kezia.” Ivan wiped the sweat from his brow; his face caked with red earth. Even his eyelashes were laden with dirt.

“What makes her so special that she can get us out with no one noticing?”

Ivan snickered and glared at him. “She’s the duke’s daughter, remember? Plus, she’s smart, crafty, and wicked.”

“Duke sabotages his own army through his daughter!” Pattin mumbled.

“Stop complaining or she’ll never come and get you.”

Pattin wiped his brow, his mouth fixed in a frown. She might not come for him at all. It’s everyone else’s luck to be saved by a duchess.

"Heads up!" The dreaded warning arrived just as a flurry of bolts blotted out the sun.

Pattin covered his head with his shield. Ivan lifted his own targe to cover his body while the plummeting projectiles thundered on it.

“Move!” came the command.

Like a terrified beetle, Pattin crouched on the ground and joined the others, locking his shield with Ivan’s as the company crawled through the trench, hands and knees bleeding, while avoiding the corpses of friends who didn’t survive. Away from the onslaught they moved, abandoning their supplies. Someone would be sent back for them when the sun settled on the horizon and the two moons rose.

Soon everyone here would have to leave the trenches and charge at the enemy. That was a standard maneuver, and it was just a matter of time. Hand to hand combat would kill him, Pattin was certain. With practiced ease, he could loose an arrow, always striking the mark. But his end would come by the cold steel of a sword. He hoped it would be tomorrow. He wasn’t ready to die today.

Maybe Kezia would draw his name and come for him tonight. Maybe he would live through this bloody war, after all.





D.L. Gardner is an award-winning author, artist, filmmaker, and screenwriter with over 28 published works to her credit. Writing and painting are her passions and fantasy her forte. When she's not pounding keys on the computer, she's canning salsa, picking apples, listening to the voices of critters in the woods, or watching flowers grow. She loves visiting far-off lands through books by both reading and writing.

 

Her genres include all fantasy, historical, and mystery.

 

Get to know D.L. through her websites and blogs or send her a message her on Kickstarter.

 

Currently a FINALIST (2025 March) in the Cannes World Wide Film Festival for her screen adaption of her book An Unconventional Mr. Peadlebody.

 

Other awards include Wishing Shelf book Award 2023 for audio, B.R.A.G. Award 2022 for the Cho Nisi series, Book Excellence Award 2019 and 2015 for Ian's Realm and Cassandra's Castle. Best Screenplay adaptation from her book Dylan at the Paris Screenplay Awards, Mile Hill International Screenplay Awards, L.A. Edge Awards, European Cinematography Awards, and Moondance Film Festival. Best Screenplay Award for adaptation from her book An Unconventional Mr. Peadlebody at Veers Film Festival, Best Screenplay Award for adaptation of Ian's Realm at the Twin Falls Sandwiches Film Festival and many more.

  

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Friday, March 13, 2026

Arcanum: In the Temple Shadows - Arcanum #1 - Fantasy Romance - and a Giveaway #Romance #Fantasy #FantasyRomance #Giveaway

Kelly O’Hearn is here to tell us about Arcanum: In the Temple Shadows, Arcanum #1, fantasy romance.

There's also a great giveaway.

_______________________________

Arcanum: In the Temple Shadows
Kelly O’Hearn
(Arcanum, #1)
Publication date: May 20th 2024
Genres: Adult, Fantasy, Romance

Arcanum: In the Temple Shadows is Book One in a series of novels channeled through the tarot cards by noted intuitive Kelly O’Hearn—the first of its kind!

In this sexy past life romance, sometimes happily ever after takes more than one lifetime. Meet Sarah Fuller. It’s her 40th birthday and things are starting to get weird. Is it deja vu? A midlife crisis? Nervous breakdown? Who is this dark, handsome stranger she feels like she’s met before? Not on Fifth Avenue or through her luxury fragrance company but, like, many lifetimes ago?

Her husband, her best friend, her shrink: everyone seems to think they know what’s best for her these days. Sarah’s always been a skeptic, but when she meets this intriguing psychic who tells her she might have been a Pharaoh’s lover and powerful mystic in ancient Egypt, thousands of years ago, it feels so right that she’s determined to find out more.

“I was given early access to the manuscript of Arcanum, and I was immediately immersed in this unique and sassy book! It’s like Carrie Bradshaw meets Cleopatra. The tension and drama between the characters was enthralling, both in their current lives and their past lives. I can’t wait for the second book in the series!” K. Lewis


Arcanum: Whispers In The Forest
Kelly O’Hearn
(Arcanum, #2)
Publication date: May 13th 2025
Genres: Adult, Fantasy, Romance

From noted intuitive channeler Kelly O’Hearn comes the spellbinding second installment in the critically acclaimed Arcanum series—a mesmerizing blend of romance, reincarnation, and sensual awakening that spans across centuries.

When Manhattan parfumier Sarah Fuller abandons her picture-perfect life to pursue an obsession with an ancient rose in the South of France, she never expects to unearth secrets buried for centuries. What begins as a professional quest quickly transforms into a soul-stirring journey, cosmically interwoven with that of a medieval maiden with mysterious powers.

As her marriage crumbles and her closest friendship fractures, Sarah’s carefully constructed reality begins to unravel. Between the gleaming penthouses of New York and the sun-drenched fields of Provence, she discovers that the fragrance she seeks may be the key to unlocking a past life—and a love that has endured across time itself.

But some secrets are meant to stay buried, and as Sarah delves deeper into her past, she must decide: Will she heed the whispers that call to her from the forest, or will she lose herself to them completely?

Goodreads / Amazon

EXCERPT:

All of a sudden she felt an invisible ripple along her spine, a jolt of something. Her eyes flew open, and she saw a man standing about five feet in front of her.

“Holy shit,” she blurted. “I didn’t realize anyone else was here.”

“Other than the two hundred people hobnobbing in the Temple of Dendur?”

“Yeah, other than those jerks.”

His smile was a knockout. If she weren’t happily married…scratch that. Tall, dark, probably of Middle Eastern descent? Gorgeous tux. Crooked smile. She’d have to be dead not to find him…attractive.

That was one word for it. Hot-as-fuck might be another.

“Harry Aiken.” He held out his hand.

Was her mouth agape? Sarah settled herself. “Of course you are…”

She took his hand in hers, and the two of them stood there for way too long. Maybe it was only a second or two, but she felt—well, she felt everything. The power of his grip, the warmth of his skin, the clean smell of him, the slight bristle of the hairs on the back of his hand, his eyes—but beyond all of those sensory, well, pleasures, really, she felt like he was definitely part of whatever gut-roiling recalibration or transformation was going on inside her today. He was somehow in on it.

She released his hand and backed away a step, as if he had burned her.

Or could.

And then she started breathing again.

“Weird day.” She shook her head and started walking slowly around the atrium.

“Do you want to be alone?” he asked.

“Not necessarily. I just didn’t want to be in a room with hundreds of people.”

Harry put his hands in his pockets and walked alongside her. “Same. I left right before the guest of honor arrived. Just all a bit too much for me, you know.”

Sarah realized his clean, buttoned-up smell was just a top note. Sandalwood, tobacco, myrrh: this man was into expensive fragrance of some sort or another, and their heat had brought it to life. A deep, masculine scent. Her mortal weakness.

“You’ve never met her?”

“No. I’m not really even sure why I’m here. I met this hilarious guy named Max—”

She couldn’t help smiling. “Yeah, I know him.”

“Right? I met him last week. Turns out he’s best friends with the CEO of this company I do business with whom I’ve been trying to meet for years. She’s got a firewall of assistants around her. Max is a great guy and all, but he was like, ‘You should totally come meet Sarah and learn more about her new foundation, yadda yadda…’ and I was like, ‘Great, I’d really appreciate the introduction.’ and then he’s like, ‘I got you on the list to her surprise party Saturday night’ and I’m like, ‘Well, that’s a little weird to show up at someone’s fortieth birthday party uninvited, if I’ve never even met them, don’t you think?’ But he’s kind of persuasive and funny, and it all seemed like a good idea last week. But now I’m just like a fish out of water…and now I’m babbling—”

When he turned to face her, their eyes caught again, and held, like they had when they’d shaken hands. “I’m not usually nervous, but you’ve caught me off guard,” he said.

Sarah just gave herself permission to stare at him. Why not? It was her birthday, wasn’t it? And maybe he was her gift. Her lip must have lifted slightly on one side when she thought that, because his glance darted to her mouth and his pupils dilated.

Then, as if realizing that what he was doing could be construed as creepy, his eyes flew back up to hers.

Her smile widened.

You can look at my mouth anytime you like, she almost said—but caught herself before she did something…regrettable.

“So, is this going to be like some Cinderella story?” he asked, his voice deeper, stronger, if that was even possible. “Are you going to introduce yourself, or am I going to have to enlist the cavalry and ride my steed throughout the kingdom tomorrow to find out your true identity?”

Harry Aiken on horseback, commanding an army. Wheeling his horse around with perfect control. Mastery. Smoke and leather and the clang of ancient weapons and still, always, his eyes on her, always on her. Tracking her, minding her, loving her.

“I could see that,” she whispered, then turned to walk back toward the party. “I guess it is a bit of a Cinderella story,” she continued, forcing her voice to take on a more carefree tone. “Because I’ll definitely turn into a pumpkin if I don’t get back to hobnobbing.”


Author Bio:

When Kelly O’Hearn first stepped off the train in the city of Florence, Italy, as a 20-year-old, she had the overwhelming instinct that she had been there before. In a place famous for its maze of medieval streets, O’Hearn navigated the city as if she had lived there for a lifetime. Born in New York City, O’Hearn first put her intuitive skills to work as a professional wine taster, instructor, and sommelier in the elite institutions of New York, Portugal, and Aspen. After raising her two children and enduring a personal health crisis, in 2012, she was drawn to begin reading the tarot cards, an ancient practice which does not presume to “predict the future” but offers a collection of stories, perspectives, and self-reflections that can guide one to become one’s most authentic self. O’Hearn is in high demand for her readings, with clients on every continent but Antartica. While most people were baking sourdough or riding their Pelotons during the Covid pandemic, O’Hearn used the tarot cards to channel her own past lives. Weeks of readings, all captured on video, yielded six storylines of herself as several powerful women over the millennia and around the globe: the same one soul, over time, persevering against all odds in the quest for happiness and the love of a soul mate. This time-bending saga inspired O’Hearn to conceive of a series of novels titled Arcanum. Book One: In the Temple Shadows is available now. Book Two: Whispers in the Forest will be released Spring of 2025.

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